Various burial configurations are the earliest remains of architecture and for good reason. In most cultures, death is the most important motif in a person's life, so the preoccupation with burial formations and customs has existed since the dawn of history. The State of Israel is known for its militaristic ethos, which is summed up in the sentence "It is good to die for our country", meaning that the land is more im-portant than life. This land, which has absorbed a lot of blood, struggles and wars, is in the end just land, the last place we all come to at the end of life. Can the land, as a myth, be used as a factor that unites instead of separates? The project examines the issue of burials and cemeteries for the two main religions in the State of Israel – Jews and Muslims. Despite the many conflicts between Jews and Muslims, there is much similarity in their burial customs, starting from the mo-ment of death, the burial process and the customs that follow. Both traditions em-phasize the respect given to the dead using rituals that honor the transition to the next world. This imagination allows to combine them and thus create a common space for both religions. The project proposes the planning of a Jewish-Muslim cemetery in the Rose Gar-den in Jerusalem, a garden which is located on the axis connecting the Knesset and the Supreme Court of Israel. An area where the Arab village "Sheikh Badr" was located, but today it is used as a public garden with the first Jewish cemetery in Jerusalem next to it. The design concept on which the project is based is elements of rhythm and paus-es, while the different forms of burial will dictate the rhythm, designated areas in the cemetery will be respite (pause) areas that will cut off the visitor from the out-side environment. In doing so, he asserts the existential situation of constant war with temporary pauses for peace and reminds the visitors that the conflict is over the land that belongs to all of us when in the end we will all return to.